"She loves Aurora and wants to be near her and around her.
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"To me it's a love story between Aurora and Rosie," Ross said. Emma's husband is not in the sequel, and the care of the children - one a tow truck driver, one a convict, the third an aspiring actress with a flaky boyfriend (Scott Wolf) - belongs to Aurora and, by default, Rosie. The friendship Aurora and Rosie share is as much the heart of "The Evening Star" as any of the other story lines it follows, including the stress and heartache provided by Aurora's grown grandchildren (played by Juliette Lewis, George Newbern and Mackenzie Astin) Aurora's torrid affair with her much younger therapist (Bill Paxton) Aurora's continuing effort to squeeze Patsy (Miranda Richardson) out of her granddaughter's life and, yes, Aurora's friendship with ex-astronaut Garrett Breedlove (Jack Nicholson).Īt the end of "Terms of Endearment," Aurora's daughter, Emma (Debra Winger), died, leaving her three children to be cared for by her flaky husband and overbearing mother. "I just reached over and squeezed her hand and said, 'I'm with you, babe. Thanks to editing, it's not necessary that Aurora actually pick up Rosie, but Ross said MacLaine told Harling, "I WANT TO PICK HER UP!"
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In one scene, the script called for Aurora to pick up a bedridden Rosie, fling her over her shoulder and carry her from her new home back to Aurora's.
Images of marion in happy days movie license#
But that didn't stop them from forming a united front when it came to exercising a little creative license on the set. Ross had never worked with MacLaine before, and although they had met at functions, they were little more than acquaintances. I wanted the part and I wanted Shirley to respect me." They would tell me some mornings, they'd say, 'We went to the dailies last night, you were great last night,' and I said, 'Oh, was I? Oh, that's nice.' I thought could be cuter, but that wig got plainer and plainer. I'll be her, but I don't want to watch it. Ross disliked her appearance so much she refused to attend the dailies, the screenings of the previous day's work.
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When Ross arrived on the set and went through makeup and wardrobe, she was shocked by the physical transformation, which left her with a stringy, gray wig and a drab maid's uniform to match. Lucky for Ross, Robert Harling, who penned "Steel Magnolias" and knew her from the stage production, also wrote the screenplay for "The Evening Star," and after a tumultuous development period, ended up its director. "I sent Ron Howard two cassettes of 'Brooklyn Bridge,' thinking, well, maybe he would put me in a movie, but then he uses his mother," jokes Ross, referring to Jean Howard's role as astronaut Jim Lovell's mother in "Apollo 13."
Images of marion in happy days movie tv#
So she looked up her former TV co-star, who was by this time busy directing such high-profile films as "Far and Away" and "The Paper." She eventually got another series, the critically acclaimed "Brooklyn Bridge," for which she was nominated twice for an Emmy, but she longed to be in film. On a recent trip to Italy with her partner, actor Paul Michael, Ross was pelted with kisses from a fan who called her "la mama de Ricky," referring to her TV son Richie Cunningham, played by actor-turned-mega-director Ron Howard.Īfter "Happy Days" went off the air in 1984, Ross returned to her roots on the stage, performing with Jean Stapleton (another TV mom, Edith Bunker on "All in the Family") in "Arsenic and Old FTC Lace" and, later, with Barbara Rush in "Steel Magnolias."